How much do you charge for digital products? For a decade my answer to that was “nothing!” It was freeing to be able to give away stuff, unhampered by material costs of production. I’ve been giving away e-books since 2000, and I’ve benefited from this in a number of ways.
However — in case you missed it — things have changed in the last decade. The print book market has been becoming less viable, and the digital becoming more so. Also the e-book reading experience is becoming more and more comparable to the print one. At a personal level, I’m reading as much on my phone as I am on the page.
So: I’ve decided to charge something for them now. But how much?
That’s up to you. Whatever you think is fair and whatever you’re happy to pay. If you’re looking for examples, read on.
Two recent book trades that I felt I got the better deal of — 
Both critical raves and good sales? Eerie.
So my fifth book and my first graphic novel, a collaboration with 
Four pages of our forthcoming graphic novel Therefore Repent! were published in the winter issue of 
One of the gems I received in response to my offer to trade books was a thin volume named The Giant Squid in… Holiday Hijinx. It preyed on my love of underwater creatures, the antiquated absurd, and needlessly cruel narrators. I’d enjoyed the 
Joey Comeau’s 
It’s a rare time that I like an art show so much that I’ll buy a catalogue — I find the writing in them does nothing for me. They’re as bad as artist’s statements, usually, which (along with the obligatory reading for authors) I consider to be a cultural convention that is deeply broken. But despite the fact that A Beginner’s Guide to Quantal Strife is a catalogue for a show that I hadn’t even seen yet, I read it cover to cover. It’s a thought-provoking and breezy read.
I met Missy Kulik at an indie media conference where I was doing a DIY Books seminar. I picked up a couple of her comics and we’ve kept in touch ever since. Her first book, Personal Charm, was self-published in June: or as the copyright page more originally puts it, “First Pressing June 2005.” We chatted by email about her book, which has its roots in ten years of zine making.
Sherwin Tjia is a Montreal artist who makes everything from Scrabble-tile lapel pins to schoolgirl comics to mini-CDs inviting us to listen to his friends masturbate. His latest book of poetry, The World is a Heartbreaker, is a collection of three liners: “i don’t want to say/ payback, but you know it’s/ pretty much payback”. It renewed my faith in the power and relevance of poetry the way that the best song lyrics do. I asked him a few questions over e-mail about the book’s development.
Almost ten years ago, at the Imperial Pub at Dundas and Yonge, Jeff told me about his plans for a new zine. Quite different than Yip, his humor zine, it would be about exploring off-limits places. I was concerned about having such a narrow focus for a whole zine. I suggested he give it a broader theme, relegating the exploring to a column or subsection. “You could call it Sneak,” I said, brainstorming other sections for scams and other naughtiness. 
