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If you can
make a zine, you can make a book.
We're at an
interesting juncture in publishing history. An individual can produce
a book as polished as a corporate outlet can for about the same
price. We're at a point where we can reasonably look at what corporate
media can offer us, and choose what best suits our needs as the
cultural producers. This is quite new -- since the supply of writers
has always exceeded big publishing's needs, the people that
package and sell the writing have always had more power. The rise
of indie music offers a potential model. Ten years ago, if someone
put out their own album people would say, "Oh, I guess they couldn't
get a record deal." Nowadays -- after years of undeniably great
independent releases, consciousness of media ownership, and a self-sustaining
community -- public perception of indie rock has shifted. Now, people
would be just as likely to say, "Oh, cool. Major labels suck."
The same shift
could happen in publishing. Similar conditions are there: increasing
media consolidation on one end, and a pool of artists who are used
to doing it themselves on the other. This time, it's zinesters and
their photocopiers instead of guitarists with their four-tracks.
Indie music
in the '90s, indie publishing in the '00s.
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