Published in 2000
100 pages
5.25x8.5"
What was the quantity of your print run(s) + how much did it work out per
book?
1000 copies. It cost about $2 per book.
What did you sell your book for?
$8.95
How can people get your book now?
Through Powells.com, Amazon.com, about 10 independent bookstores, and
directly from me -- workingfortheman.com.
What inspired you to make a book?
I have been doing zines since 1997, and before that I had done literary
journals and also worked on newspapers and magazines. Through all that, I
had always wanted to do a book, and with the Working For The Man stories
(from five issues of the zine, plus the workingfortheman.com website) I
finally had enough material to publish a book. I knew I wanted to do it
independently. I was curious about figuring out both the production process
and the marketing possibilities, but I mainly just wanted to see that I
could do it. I had been talking and talking about how important independent
book publishing is, yet I had never actually done it myself. So that was a
big part of it -- I wanted less talk and more action.
What did you do to promote it?
First of all, the book is a collection of stories from the Working For The
Man print zine and the workingfortheman.com website. Both the zine and the
website have their audiences, so I made sure to make them aware of the book.
The website was an especially important element in the marketing effort.
Anytime I talked about the book, I made sure to say, "check out the
workingfortheman.com website." I also made postcards (through
modernpostcard.com, who I recommend), and sent them to anyone and everyone I
know, and also included them in all my correspondence. I also gave stacks of
postcards to friends and family, and had them pass the postcards out to
their friends, family and co-workers. And while I sent out a great many
review copies of the book, I sent out even more postcards, to journalists,
radio show hosts, work columnists - basically anyone I thought might be
interested in either writing about or simply buying a copy of my book. I
also sent out a very creative e-mail to friends and family, and asked them,
in a humorous way, to not only buy a copy of my book, but to forward my note
to all their friends and family. The goal there wasn't just to sell books,
but to get people to my website. In terms of getting the book written up, my
strategy didn't focus on getting reviews. Indeed, it's very hard to get book
reviewers to review an independently published book. Many of the how-to
self-publishing books will list all the major newspapers' book review
sections, and encourage you to send your book to the editors of those book
review sections. Unfortunately, your chances of getting reviewed by those
publications are not good. I'm not saying it can't happen, but it probably
won't. Not just because your book is independently published, but because
those publications receive hundreds of books each week. So I focused more on
working the angle of my book -- the world of work -- and went after the
editors, columnists and reporters who cover employment, the workplace,
career, that kind of thing. This strategy helped me get things like a full
page in the New York Post (the careers page), and an excerpt from the book
in Fortune Magazine's On The Job section. Neither of those publications
would have reviewed the book, but still, I got coverage. One thing any
self-publisher should do first is send a review copy of their book to their
hometown newspaper, as well as to the newspaper in the town in which they
currently reside. The fact that you are local (or were local) gets your book
prioritized higher, and your chances of getting coverage or a review goes up
considerably. If you're persistent, you'll probably get a write-up. Then as
you send out more review copies, you can include those write-ups in the
mailings, which will improve your chances of getting more write-ups. Even
though reporters and reviewers like to break a story first, they also seem
to respond to something better when they see someone else has already
written it up. It basically lends some credibility to a project. Another
thing that I made sure to do was send handwritten notes with my press
mailings. I was able to do this because my press strategy was planned out
well in advance, and it was very focused. That was the overall key to my
promotional effort. The whole time I was doing my book, I kept a notebook
with promotional strategies, ideas, contacts, lists of people that could
help me get to an editor or writer at various publications, that kind of
thing. Then, once my book was sent off to the printer, I spent that time
really figuring out the step-by-step process of how I was going to get the
word out about my book. The day my books arrived, I knew exactly what I had
to do. And I went to work.
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